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Home / 1950s

1950s

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BLACK OVER REDS
GREEN & TANGERINE ON RED
GREEN AND MAROON
No. 12
No. 203 {R,O,T,P} Untitled
OCHRE AND RED ON RED
ORANGE AND RED ON RED
ORANGE AND YELLOW
RED AND PINK ON PINK
RED, ORANGE, ORANGE ON RED
UNTITLED
UNTITLED
UNTITLED
UNTITLED
Untitled
Untitled
Untitled
Untitled
Untitled (Orange)
Untitled, Segram Mural Sketch

Rothko & Portland

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Portland Art Museum Expands with the Rothko Pavilion ... read more

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The Oregon Encyclopedia's article about Rothko and his ongoing connection ... read more

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In ‘Mark Rothko: From the Inside Out,’ a Son Writes About His Father ... read more

News

Artsy.com Article

How Mark Rothko Unlocked the Emotional Power of Color
The name Mark Rothko is synonymous with sensitive canvases that feature arrangements of rectangular panes in vivid hues. The artist was a skilled colorist. The great joy of experiencing his paintings is looking at how the colors, shapes, and backgrounds interact with one another, particularly around the edges. The soft, brushy borders that surround his color fields create one mood, while the sharper, straighter lines of the central forms elicit another. Alternate juxtapositions of similar or divergent tones ...
READ THE ENTIRE ARTSY.COM ARTICLE

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See Red In A New Light: Imperial China Meets Mark Rothko In D.C. Exhibition:

This holiday season, the color red is the focus of a small exhibition at the Arthur M. Sackler Gallery in Washington, D.C. The Smithsonian show finds links between a 15th-century Ming dynasty dish and a 20th-century painting by Mark Rothko ... READ THE NPR ARTICLE

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My friend Mark Rothko: Pace Gallery’s Arne Glimcher explains the allure of the artist’s dark work

Passion, romance, eroticism: these are words that Arne Glimcher, the founder of Pace Gallery, uses for the dark-coloured paintings of Mark Rothko. He has fulfilled his long-time wish of putting on an exhibition of such works with Rothko, Dark Palette ... READ THE ART NEWSPAPER ARTICLE

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